{"id":136,"date":"2002-11-25T12:45:14","date_gmt":"2002-11-25T12:45:14","guid":{"rendered":"http:\/\/wp.vate.com.mx\/?page_id=136"},"modified":"2018-01-06T10:15:25","modified_gmt":"2018-01-06T10:15:25","slug":"entrevista-para-la-revista-amoniaco","status":"publish","type":"post","link":"https:\/\/vate.com.mx\/es\/2002\/11\/25\/entrevista-para-la-revista-amoniaco\/","title":{"rendered":"Entrevista para la revista Amoniaco"},"content":{"rendered":"<p><strong>\u00bfComo describes visualmente tu m\u00fasica y que aspecto auditivo tiene?<\/strong><br \/>\nVisual y auditivamente est\u00e1 muy influida por las im\u00e1genes de los a\u00f1os noventa. En esta d\u00e9cada se tendi\u00f3 mucho a recolectar im\u00e1genes de diversas fuentes y a sobrecargar la forma de los mensajes (\u00abCountry not for you\u00bb o el remix de \u00abTreading Gravity\u00bb son un ejemplo). Sin embargo creo que en lo personal hay veces que me canso de seguir el modelo de sobreinformaci\u00f3n que nos rodea (MTV, CNN, Internet, el \u00abbarroco mexicano del siglo XX\u00bb, etc&#8230;), por eso me interesa seguir patrones m\u00e1s sencillos pero no por eso menos interesantes (tipo \u00abSeis segadoras Verdes\u00bb o \u00abUltras\u00bb). La estructura de mi m\u00fasica suele ser progresiva, los ritmos var\u00edan, aunque me gusta que sean m\u00e1s bien complejos (no hacia lo house), cualquier sonido que sea auditivamente atractivo es bienvenido y, entre otras cosas, me gustar\u00eda trabajar m\u00e1s con el uso de samples (o muestras) en la vieja tradici\u00f3n de recortar, pegar y reconstruir sonidos ajenos.<\/p>\n<p><strong>\u00bfC\u00f3mo ves la escena de tecno-house en M\u00e9xico?<\/strong><br \/>\nPreferir\u00eda llamarla escena electr\u00f3nica, dada la gran variedad de estilos que se est\u00e1n haciendo en nuestro pa\u00eds. Es impresionante la cantidad de gente que estamos haciendo cosas en M\u00e9xico. Creo que hay el potencial creativo para sobresalir como pais en la escena electr\u00f3nica mundial. Quiz\u00e1s lo que falte sea m\u00e1s organizaci\u00f3n y contacto entre los m\u00fasicos (m\u00e1s a\u00fan del que ya se est\u00e1 dando). Creo que debe existir una escena underground, pero m\u00e1s bien como semillero, si lo que queremos es transmitir ideas en un formato como el de la electr\u00f3nica, debemos de salir al aire y no por eso me refiero a comercializarnos al estilo Fey y anexas. Se ha repetido hasta el cansancio que la buena m\u00fasica y las buenas ventas no necesaramente est\u00e1n peleadas, y hay muchos grupos de m\u00fasica electr\u00f3nica en el mundo que pueden corroborar eso.<\/p>\n<p><strong>\u00bfDe literatura que te influye para mover los dedos y hacer m\u00fasica?<\/strong><br \/>\nSobre todo lo que leo en los peri\u00f3dicos y la informaci\u00f3n general que cae en mis manos. No hay un escritor que influya directamente en mi m\u00fasica, aunque debo reconocer que los textos de Burroughs se parecen an\u00e1logamente a algunas rolas m\u00edas, pero es m\u00e1s bien por su influencia en el estilo visual y musical de los noventa.<\/p>\n<p><strong>\u00bfY de las artes visuales?<\/strong><br \/>\nIndirectamente, del cine de esta d\u00e9cada, de la multimedia, la televisi\u00f3n (hay muy buen material para despedazar y reconstruir en la tele). No negar\u00e9 la gran influencia de David Bowie en cuanto a la imagen, Kraftwerk por el sonido, Alan Parsons por la estructura y Peter Gabriel por lo ecl\u00e9ctico.<\/p>\n<p><strong>\u00bfC\u00f3mo te inicias en esta formaci\u00f3n? (musical)<\/strong><br \/>\nComo muchos colegas, todo viene de o\u00eddo, de practicar con humildes teclados en un principio y luego, por el inter\u00e9s en las computadoras, de experimentar con la m\u00e1quina. Habemos muchos m\u00fasicos electr\u00f3nicos mexicanos que, a falta de una buena (y cara) colecci\u00f3n de sintes y secuenciadores, hemos recurrido a las computadoras para hacer m\u00fasica, nos he bautizado como m\u00fasicos PC (o Mac, en su caso). Sin embargo yo no despreciar\u00eda la oportunidad de tener un buen estudio lleno de teclados de todo tipo para jugar. El caso es que gran parte de este aprendizaje se basa en lo emp\u00edrico y en la experimentaci\u00f3n, con sus ventajas y desventajas.<\/p>\n<p><strong>\u00bfCrees que hay una infraestructura para la m\u00fasica electr\u00f3nica en el pa\u00eds o este sea meramente algo m\u00e1s aceptado en otros lados del planeta (Inglaterra)?<\/strong><br \/>\nInfraestructura s\u00ed creo que la hay, falta que se difunda m\u00e1s, que la mayor\u00eda de la gente sepa que exista y que es una opci\u00f3n. Que fuera de M\u00e9xico se sepa que habemos un mont\u00f3n de gente interesada en este asunto. Yo creo que la gran meta es que se nos oiga hasta del otro lado de los charcos (Europa y Jap\u00f3n).<\/p>\n<p><strong>\u00bfC\u00f3mo ha sido tu participaci\u00f3n en la escena\/ presentaciones?<\/strong><br \/>\nSobre todo ha sido de manera virtual, es decir, a trav\u00e9s de Internet. He puesto mis rolas en mp3.com, mi propia p\u00e1gina (http:\/\/vate.com.mx) y suelo participar en otros foros como www.urbe01.com, Cinematik o Verbalia. Conozco a muchos de los otros m\u00fasicos electronicos a trav\u00e9s de la red, y a solo unos cuantos personalmente, sin embargo toda esta comunidad esta creciendo y conoci\u00e9ndose de manera virtual, es un fen\u00f3meno interesante. Antes estaba muy aislado y hac\u00eda la m\u00fasica como goce personal, pero desde el a\u00f1o pasado decid\u00ed que val\u00eda la pena darla a conocer, y parece que ha dado resultado, la retroalimentaci\u00f3n y el intercambio con gente de la escena han sido de gran utilidad para m\u00ed. Hay un track m\u00edo (\u00abUltras\u00bb) en el primer acoplado de Electro-mx y participar\u00e9 en ese evento con una idea llamada \u00abIntercortes\u00bb. Tambi\u00e9n hay posibilidades de tocar en vivo a lo largo del a\u00f1o, pero no hay que adelantarse.<\/p>\n<p><strong>\u00bfC\u00f3mo ves la organizaci\u00f3n de otros movimientos en el pa\u00eds como en Tijuana (nortec) DF. (Electro mx.)?<\/strong><br \/>\nEs lo que hace falta para hacer que suene la electr\u00f3nica mexicana dentro y fuera del pa\u00eds. Tambi\u00e9n es una buena oportunidad para los que empezamos a hacernos sonar (como en mi caso) de darnos a conocer en el medio.<\/p>\n<p><strong>\u00bfEn que eventos importantes has participado?<\/strong><br \/>\nEn enero participar\u00e9 en Electro-mx, llevo poco aqu\u00ed fuera, el plan para este a\u00f1o es hacer m\u00e1s ruido.<\/p>\n<p><strong>\u00bfQue opinas de las drogas (inteligentes) que se consumen en los raves, crees que sean necesarias para una conexi\u00f3n mayor con la m\u00fasica?<\/strong><br \/>\nQuien las necesite que las use, es responsabilidad de cada quien. Cada quien se relaciona con la m\u00fasica del modo que le sea m\u00e1s conveniente. Lo mejor en esos casos es dar la mayor informaci\u00f3n posible respecto al tema y no tratarlo como algo que se aprende solo en los raves, que se sepa todo al respecto (pros y contras) y ya cada quien decida si le late o no.<\/p>\n<p><strong>Por ultimo dame tu definici\u00f3n de m\u00fasica electr\u00f3nica en estos \u00faltimos a\u00f1os (ll\u00e1mese tecno house minimal o big beat u otra corriente que te interese)<\/strong><br \/>\nLa m\u00fasica electr\u00f3nica se ha diversificado mucho en las \u00faltimas dos d\u00e9cadas, creo que el com\u00fan denominador, para no entrar en g\u00e9neros, es la experimentaci\u00f3n. Est\u00e1 abriendo caminos que , al parecer, a fines de los noventa ya no pod\u00edan abrir solo un bajo, unas liras y una bataca. El rock parece agotado, solo espero que no le pase eso a la electr\u00f3nica, en caunto a recursos t\u00e9cnicos no tenemos excusa para que eso pase, la responsabilidad recae ahora en nuestra creatividad. Suena interesante el reto de definir entre los m\u00fasicos, los medios interesados y los organizadores de eventos cual ser\u00e1 la m\u00fasica de la d\u00e9cada de los cero (2001 a 2011).<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00bfComo describes visualmente tu m\u00fasica y que aspecto auditivo tiene? Visual y auditivamente est\u00e1 muy influida por las im\u00e1genes de los a\u00f1os noventa. En esta d\u00e9cada se tendi\u00f3 mucho a recolectar im\u00e1genes de diversas fuentes y a sobrecargar la forma de los mensajes (\u00abCountry not for you\u00bb o el remix de \u00abTreading Gravity\u00bb son un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevistas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Entrevista para la revista Amoniaco - Vate<\/title>\n<meta name=\"description\" content=\"Vate is an electronic music producer that works with very different genres inside electronic music, such as electro, ambient and sound experimentation. 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